|
half/angel have been making work for theatres, galleries and outside spaces since 1995. This work always has a poetic sensibility, grounded in Jools' writing, and elaborated through a decade of collaboration in embodied practices. We have often worked with emerging technologies, but this has always been as a tool to investigate content / modes of interaction with our audience / visitors. We have sometimes been known as a dance company; our corporeal curiosity revels in the professional dancing body, but also lurches beyond it to other kinds of bodies and embodied contexts. We are a company that makes unsettling installation spaces (The Lios 2004), haunting and raucous dance theatre (The Secret Project 1999), large-scale site specific performance with dozens of non-professional performers (The White Quadrangle 2005), as well as vast audacious projects which resist conventional forms (The Knitting Map 2005). We are also a company with a research sensibility; we write about our work in journals and books, and we have both written PhD's on the company's work.
She told me that if I bathed the distaff with blood, strange alchemies would come upon me. |
|
